Lush harmonies, opulence, metaphysical spheres, the spirit of the ending 19th century – this unites the three song cycles by Debussy, Krauss and Ullmann that Emma Moore and Klara Hornig combine on their first album. They portray Debussy from a rather unusually late Romantic perspective with “Cinq Poèmes de Charles Baudelaire” and induce the listener over Clemens Krauss’ impressionist-inspired “Acht Gesänge nach Gedichten von Rainer Maria Rilke” to the unique “Fünf Liebeslieder nach Ricarda Huch” by Viktor Ullmann.

What does home mean? In Schubert‘s song cycle, we meet a traveller: a stranger, a homeless person, an unhappy lover, an aimless wanderer, torn between his dreams and bitter reality. The Asambura-Ensemble connects Schubert with Persian poems and music about strangeness and loneliness, developing new perspectives. “I arrived a stranger, a stranger I depart” – in view of the homelessness of so many refugees, this newly interpreted song cycle is highly up to date.

Juris Teichmanis presents his very unique interpretation of the complete Cello Suites by Johann Sebastian Bach. Flamboyant colours are created through the standard pitch of 400 Hertz and the choice of two historic instruments fitted with gut strings. The rarely heard Violoncello Piccolo with its additional fifth string reveals a surprising perspective at the end of the cycle in the sixth suite.

After a long and intense research period, Daniel Cunha presents his first recording of Alfredo Napoleão’s piano works. A selection of colourful pieces from an almost forgotten composer reveals new perspectives on Portuguese romantic piano music.

In their new album Revelação the Costa Brothers dedicate themselves to Portuguese composers of the last century. Discover music by Luiz Costa, Frederico de Freitas and Antonio Pinho Vargas, recorded for the very first time.